Freeing John Sinclair

Blues Festival Gets OK

Article Keywords:	Ann Arbor Blues & Jazz Festival, Ann Arbor Police Department, Ann Arbor Public Schools Board of Education, Canterbury House, Michigan League, Michigan Union, Rock Concerts in the Park, University of Michigan - University Activities Center (UAC), University of Michigan Board of Regents
Places:	Gallup Park, Huron High School, Huron Uplands, Sheraton Property

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Blues Festival Gets OK

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Regents Discourage Blues Festival

Article Keywords:	Ann Arbor Blues & Jazz Festival, Canterbury House, Michigan League, Michigan Union, Rock Concerts in the Park, University of Michigan - Board of Regents, University of Michigan - Students
People:	Gertrude V. Huebner, Paul G. Goebel, Robert J. Brown
Places:	Fuller Flatlands, Huron Flatlands, Huron High School

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Festival of the Blues

Article Author:	Doug Fulton
Article Keywords:	Ann Arbor Blues & Jazz Festival, Concerts, Music, Musicians
People:	(Big Mama) Mae Thornton, (Sleepy) John Estes, Aaron (T-Bone) Walker, Alan Lomax, Arthur (Big Boy) Crudup, Howlin' Wolf, James Cotton, Josh White, Lightnin's Hopkins, Otis Rush, Roosevelt Sykes, Son House
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Blues Event Big Success

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Blues Event Big Success

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Big Joe Shows 'Em How

Article Author:	Doug Fulton
Article Keywords:	Ann Arbor Blues & Jazz Festival, Concerts, Music, Musicians
People:	(Big) Joe Williams
Places:	Fuller Flatlands
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Ann Arbor About To Get The Blues

Article Author:	Norman Gibson
Article Keywords:	Ann Arbor Blues & Jazz Festival, Canterbury House, Concerts, Movies, Music, Musicians, Rock Concerts in the Park, University of Michigan - University Activities Center (UAC), Volunteers & Volunteering, Warner Brothers - Seven Arts
People:	(Big Mama) Mae Thornton, Albert King, B.B. King, Bobby Bland, Buddy Guy, Bukka White, Cary Bell, Chris Seltsam, Eddie Vinson, Fred McDowell, Houndog Taylor, Howlin' Wolf, Jimmy (Fast Fingers) Dawkins, Joe Turner, John (T-Bone) Lee Hooker, John Jackson Little Brother Montgomery, Johnny Shines Sunnyland Slim, Johnny Young, Juke Boy Bonner, Junior Parker, Lazy Bill Lucas, Little Joe Blue, Lowell Fulsom, Luther Allison, Mance Lipscomb, Mighty Joe Young, Otis Rush, Papa Lightfoot, Robert Pete Williams, Roosevelt Sykes, Son House, T-Bone Vinson, T-Bone Walker
Places:	Huron High School, Huron Uplands

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Ann Arbor Film Festival

Ann Arbor Sun, May 6, 1976

Article Keywords:	Ann Arbor Film Festival, Film Festivals
People:	Caroline Mouris, Charles Light, Dan Keiler, Fat Olesko, Frank Mouris, George Manupelli, Hillary Harris, Howard Bass, Michael Whitney, Richard Cohen

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The Ann Arbor Film Festival is a five night marathon, consisting of all manner of filmic expression and style. A sixth evening is taken up with a selection of the best of the lest, as chosen by a group of judges with sometimes dubious qualifications. But that's neither here nor there. The festival is great. For fourteen years it has provided an outlet lor the work oföreative filmmakers who would ofherwise have no outlet. Started by George Manupelli. who has been its director and chief guru since the very beginning, the A. A.F.F, has also been a vital forcé in bringing together these independent artists with the few distributors and thcatre owners who exhibit the so-called "underground film." The festival tour brings nine hours of highlights to colleges and museums across the country; this year it will be going to the Cannes Film Festival as well. This is a very fine thing indeed. film is an audience medium. The conálimate film artist should have a strong relationship with his or her audience. Unfortunately, there are literally loads of good films that never reach substantial audiences. I can recommend the festival films that impressed me most, but few people in this area will have the opportunity to sec them. The booking policies of most cxhibitors don't allow for such unbridled madness. Few of these films have "commercial potential." But perhaps, in describing a sampling, I can wet your appetite for a future festival. (If there is one. It seems that after fourteen years, Manupelli's leet are dragging and there is some question as to whether anyone is ca pable of filling his shoes and organizing "his" festival. A worrisome question. The films and the audience are both there. They represent the identity of the Film Festival, not George Manupelli. I don't mean to criticize him unfairly. He has maintained an oasis. in the desert for fourteen years. So teil me, why should t dry up?) Every year there are at least three or four excellent documentaries, and this year is no ception. "Lovejoy's Nuclear Wai" H is Dan Keiler and Charles Light's trait of a modern day nero. Sam Lovejoy is an organic farmer and a prime mover in the anti-nuclear power plant movement in New tngland. He knocked down a weather tower at the future site of hvin power plants that threaten to pollute the valley in which he lives. Through his action, he hoped to set back production on the nlants and brine tention to the dangerous ruse of nuclear power. The film pontains interviews with Sam, assorted experts on the dangers ol' nuclear power, and the townspeople, tor whom the plants will provide power as well as einployment. "Hurry Tomorrow" by Richard Cohén is an engrossing study of what passes fot life in a California Mental Hospital. One of the favorites this year, "Hurry Tomorrow" was awarded the seeond highest cash prize. - "Bear Creek" by Howard Bass is a beautit'ul nature documentary, capturing the sight and especially the sound of the wilderness, that, tor my taste, could be about fit'teen minutes shorter. Animation is another area in wliich the l'ilni festival really delivers. Sal ly ("ruikshank, who deI liglited the audience j three years ago with I "Fun on Mars," is back with "Quasi at the Quackadero," a romp through an amusement park amÊ forducks. "Head," a maniac piece by George Griffin, an f peccable animator, defies description. Frank and Caroline Mouris created two mastert'ul and t'renzied pixillations: "Screentest," in which the jewelry and gloves of a transvestite are magically stripped and tly off „screen, and "Coney," a fast-paced tour of Coney Island. f I lms like these, with spirit and energy and an acute sense of style, you won't see after the coming attractions and before the feature presen tation at your local theatre. A tlair t'nr humor also chaiacterizes the yearly block of non-animated films. Among the best-loved and most-eryoyed was "33 Yo Tricks" by P. White. It's justas - the title says, brought olïwitli perfeetion. Kevin Dole's "NoGo Showboat" is ihe old obscure Beach Boys tune of the same titlc wilh synchronized visuals. The cast includes the ckeerleadino squad of' suburban Chicago's New Treer High School and the overall effect is one of pure ioy. "Yin Hsien," Michael Whitney's lyric T'ai Chi film, is a perfect example of the liarmonious marriagc of eastern and western styles; it also provides an exemplary portrait of a filmmaker in touch with his subject matter. And Ililary Harris' time lapsos ot New York City, in her film "Organism," are nothing short of spcctacular. ij These and a number of the other films presented are inspiring, moving, andor fun. I-sit on the hard seats of the architecture auditorium tor extended periods of time ti sec them. But, as a student of the technique and craft of film, I'm sorry to say thai a respectable little portton of the program is bad. Unfortunately, this has been the case at every film festival, Ann Arbor and otherwise, that I have ever attended. The problem with the bad films in Ann Arbor, the ones that particularly irrítate me, is the preoccupation with technique -not to nuke a statement, put across an idea, or effect an emotionaJ response, but nierely for its owb sake. li is tliis plethota of "empty" films that makes the auditorium seats harder. Technique is very important. Soïne films are lacking m that area and are on the level of home movies. It is vital for a filmmaker to learn to use hls or her tools well. Like a musician first there is the coming to terms with the instrument and the desire to play something in particular. Beyond that isa search-and-discovery process that transforms craft into art. The A.A.F.F. is very "Art is everything, everything is art"-oriented. Everything may be art, but everything isn't good or interesting art. Filmmakers can spend a lifetime over their optica) printers, but il' they don't have a relationship with their audience, they are merely sclf-indulgent, and maybe visually interesting lor j few minutes. Ho-hum. Yawn. Film is not canvas. It moves and speaks. It's a spectacle and il 's magie. No artiele about the A.A.F. F. would be complete without a word about the one and only Fat Olesko. Kvery year she construets a series of complicated, textured costumes in whicfa she does comedy bits, backed by film and music. II her wit is sometimes lired, her coslumes are always magnificent. In closing, I would like to mention that Ann Arbor is the most efficiently organized festival ie attended. Proiection is excellent, and thev always start on time.

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Calendar

Ann Arbor Sun, March 25, 1976

Article Keywords:

Ann Arbor Film Festival, Film Festivals

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DETROIT CassCity Cinema, First Unitarian Church, Cass & Forest (red door on Forest). Shows at 8 and 10 pm, adm. $1.50: Maren 12-13, "Antonio Des Mortes"; Maren 19-20, "And Now For Something Completely Different." U of M Dearborn Film Series, Engineering Lab Bldg., Room 179, 7 and 9:30 pm, $1.00 at the door: March 12-13, "The Day The Earth Stood Still"; March 17, 19, 20, "Zardoz." Phase Out Films, Deroy Auditorium, 7:30 and 9:30 pm, $1.50, Children and Sr. Citizens- free: March 12-13, "Brewster McCloud." Detroit Film Theatre, Art Institute, 5200 Woodward, 7 pm & 9:30 pm (Sun. 7 pm only): March 12, "Hearts of the West" (U.S.- 1975 - dir. Howard Zieff); March 13, "Weekend" (France- 1968- dir. Jean-Luc Godard); March 19, "Night of Counting the Years" (Egypt- 1969- dir. Shadi Abdelsalam); March 20, "M" (Germany- 1930- dir. Fritz Lang); March 21, "Primate" (1974- Wiseman); March 26, "Alice in the Cities" (Germany- 1974- dir. Wim Wenders); March 27, "The Great Dictator" (U.S.-1940-dir. Chaplin). "Barry Lyndon" at the Americana, Dearborn and Woods. "Gable and Lombard" at the Americana, Beacon East, Mai Kai, Showcase-Pontiac, ShowcaseSterling Heights, and Southgate. "No Deposit, No Return" at the Abbey, Allen Park, Camelot, Livonia Mali, Macomb Mali, Main-Royal Oak, Showcase-Pontiac, Old Orchard, Showcase-Sterling Heights, StateWayne, Warren-Cinema City. "Next Stop, Greenwich Village" at the Terrace and Village. "Taxi Driver" at the Americana, Eastland, Fairlane, Kingswood, Showcase-Sterling Heights, "Inserts" at the Towne. "The Man Who Would Be King" at the Birmingham, Huron-Pontlac, Moviesat Lakeside, Westborn, Universal City, Woods. "The Sunshine Boys" at the Dearborn, Llvonia Mali, Macomb Mali, Pontiac Mali, Quo Vadis, Showcase-Sterling Heights, Somerset Mali, Southland, Tel-Ex, Warren Cinema. "Hustle" at the Dearborn, Quo Vadis, Algiers, Ford Wyoming, Gratiot. "Psychic Killer" and "Slaughter" at the PalmsDowntown. "Not Now Darling" at the Old Orchard, Parkway, Radio City, Terrace, Vogue, Wyandotte Anx. "One F lew Over the Cuckoo's Nest" at the Abbey, Eastland, La Parisién, Macomb Mali, Pontiac Mali, Southland, Towne. "Hedda" at the Studio 4. "Chino" at the Adams-Downtown, Abbey, Carousel, Hampton, Jewel-Mt. Clemens, Punch & Judy, Royal Oak, Showboat, Stagedoor, and these drive-ins: Bel-Air, Ecorse Rd., Fort George, Holiday, Troy, Wayne, West Side. "Swept Away ..." at the Somerset Cinema I. "Dog Day Afternoon" at the Beacon East, Moviesat Lakeside, Quo Vadis. "Lucky Lady" at the Civic-Detroit, Eastwood, Esquire, Farmington 4, Moviesat Lakeside, Northcrest, Playhouse-Waterford, Southgate, Showcase-Sterling Heights, Tel-Ex Cinema. "The Story of Adele H." at Northland. "Leadbelly" at the Madison and Mercury. "Jimi Hendrix" & "Performance" at the Cabaret. "The First Nude Musical" at the Alger, Gateway, Hampton, Quo Vadis, Radio City, Stage Door, Tel-Ex, and Wyandotte Annex. ANN ARBOR 14th Annual Ann Arbor Film Festival, March 16-21, Screenings are held in the old Architecture Auditorium (Tappan & Monroe). Showings 7, 9, 11 pm, Tues.-Fri. 1, 7, 9, Sat.i Winners and highlights Sunday, 7, 9, & 11 both In the Architecture Aud. & Angelí Hall, Aud. A. Single tickets $1.25. Series, $16. Advance sales begin 6 pm for that day only. Series tickets on sale Tues. March 16 at 5:30 pm. All shows are different. Seats more easily obtained Tues.-Thurs. Ann Arbor Film Coop, Aud. A- Angelí Hall or Modern Languages Bldg.- U of M, 769-7787: Showtimes 7 Í. 9 pm, Adm. $1.2 5. 316, "Dr. Strangelove, or How I Learned To Stop Worrying And Love The Bomb" (1964), Stanley Kubrick), 7 only, "Cry, Dr. Chicago (1971, Jack Nicholson), 7 only, "Payday" (1972, Daryl Duke), 9 only; 318, "Breathless" (French, 1972, Eric Rohmer), 9 only; 319, "The Rainpeople" (1969, Francis Ford Coppola), 7 only, "The Conversation" (1974, Coppola); 323, "Juliet of the Spirits" (Italian, 1965, Federico Fellini), 7 only; 324, "Heat" (1972, Paul Morrissey), 7 only, "Ciao Manhattan" (1972, John Palmer, David Wiseman), 9 only; 325, "Blazing Saddles" (1974, Mei Brooks), 7, 8:45 & 10:30; 326, "The King of Hearts ' (1967, Philippe de Broca), MLB 4-7 only, "The Charge of the Light Brigade" (1968, Tony Richardson), 9 only, "The Three Musketeers" (1974, Richard Lester) MLB 3-7 & 9. Cinema Guild, Old Architecture Aud. (Tappan 6 Monroe), U of M, 662-8871: Showtimes 7 & 9:05, Adm. $1.25. 316-21, Ann Arbor 16 MM Film Festival; 323, "Pather Panchali" (Bengali, 1954, Satyajit Ray), 7 only, "Bonnie And Clyde" (1967, Arthur Penn); 324, "Pather Panchali" , 7 only, "Shanghai Express" (1932, Joseph Von Sternberg); 325, "Citizen Kane" (1941, orson Welles); 326, "Wizard of Oz" (1939, Victor Fleming); 327, "The Bride Wore Black" (French, 1968, Francois Truffaut); 328, "Macario" (Spanish & Quiche, 1960, Roberto Gaualdon). Cinema II, Aud. A- Angelí Hall, U of M, 7641817: Showtimes 7 & 9 (or 9:30), Adm. $1- $1.25. 312, "Tramp Tramp Tramp" (1925, Harry Edwards & Frank Capra), 7 only, 'Stage Door" (1937, Gregory LaCava), 9 only; 313, "Little Murders" (1971, Alan Arkin); 313, Children's Sat. Matinee Film Series: "Walt Disney's Robin Hood" (1973, animated) 1 & 3 pm, kids $.50Adults $1.00; 314, "Triumph Of The Will" (1934, Leni Riefenstahl) & "Why We Fight, Part II: The Nazis Strike" (Frank Capra). Full shows 7 & 9:30; 319, "Mr. Arkadin" (1955, Orson Welles); 320, "The Ox-Bow Incident" (1943, Wllliam Wellman), 7 only, "Black Fury" (1935, Michael Curtiz), 9 only; 321, Film Festival Winners- 3 shows: 7, 9 & 11: 326, "The Idiot" (1951. .Akiri Kurosawa); 327, "Lacombe, Lucien ' (1974, Louis Malle); 328, "Gertrude" (1964, Cari Dreyer). Matrix Theatre, 605 E. William, 994-0627: Showtimes 7 & 9:30, Adm. $1.25. 310-16, M.A.S.H. (Robert Altman); 317-23, "Flesh Gordon"; 324-30, "Emmanuelle" (X); 31213, at Midnight- Afro-Theatre; 327, Magie Show Matinee w Hank Moorehouse, 2 pm. New World Film Coop, Natural Science Aud. or Modern Languages Bldg.- U of M, 994-0627: Showtimes vary, Adm. $1.25. 311, "Amarcord" (Federico Fellini); 313, "Memories Within Miss Agie" (X); 317, "The Effect of Gamma Rays on Man-ln-The-Moon Marigolds" (Paul Newman); 318, "The Parallax View"; 319, "Sounder"(Martin Ritt); 325, "The Harder They Come" (Perry Henzell) starring Jimmy Cliff; 327, "Behind the Green Door" (X), 7, 8:30 & 10, Adm. $2.50. UACMediatrics, Natural Science Aud.- U of M, 763-1107: Showtimes 7:30 & 9:30, Adm. $1.00. 319-21, "Tommy" (1975, Ken Russell); 326-27, "The Great Waldo Pepper" (1975, George Roy Hill). The Inmate Project of Project Commumty Film Series, Aud. C- Angelí Hall, U of M: Showtime 7:30 pm, No charge. 322, "Brazil: No Time For Tears", Interviews w 9 former Brazilian political prisoners who recount their ordeals under torture. People's Bicentennial Commission Sunday Film Series, Natural Science Aud.- U of M: Showtimes 7 & 9 pm, Adm. $1.25, 321 & 22, "The Passenger" starring Jack Nicholson; 328, "If" starring Malcolm McDowell. Women's Studies Film Series, Modern Languages Bldg.- Lecture Rm. 2, U of M, 763-2047: Showtlme 7 pm, No charge. 318, Work: "Chisholm- Pursuing The Dream"- her '72 presidential campaign, "Katy", "Joyce at 34"; 325, Arts: "Antonia" & "Full Circle: The Work of Doris Chase." Lesbian Feminist Film Festival, Sat. 327, 8 pm at Corntree Coop, 1910 Hill St., Adm. $1.75 followed by Lesbian Women's Dance, 9:30 pm- 1:30 am, Adm. $1.00 (for those who didn't pay $1.75 film admission). Both events- Women Only. Sponsored by Amazon Union. Proceeds go to help fund a Lesbian Center in Ann Arbor. j "Gable & Lombard", check listings

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Movies

Ann Arbor Sun, March 14, 1975

Article Keywords:	Ann Arbor Film Festival, Film, Film Festivals, Movies
People:	Ainslie Pryor, Andrew Lugg, Curt McDowell, Gerardo Machada, Phil Makanna, Steve Kreines, Vince Scilla
Places:	MLB3

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What's significant about the 13th Ann Arhor Film Festival? The film festival is happening this year. And this is significant in a town where the life span of most big deals is measured in semesters. For thirteen years this festival has attracted the attention of a phenomenal portion of the artists working in 16mm film in this country, Canada and Europe. Due, 4 ly, to the festival's reputation for sound aesthetic judgement and selectivity, as well as to the careful style with which films are handled. This year 270 films were entered. About 50 less than last year (And this is significant, if you're looking for the more arcane manifestations of economie depression.) Out of the 270 around 90 have been chosen to be viewed by the festival judges and the public. And, when this issue of the SUN hits the streets, more than half of those films will have been screened. But, the Friday and Saturday screenings still wait with pendulous allure of ripe apples. On Friday Andrew Lugg and Vince Scilla (both formerly of Ann Arbor) are represented by Dusk and Thunder in the Aftemoon respectively-both strong visual pieces. Those who stick it out to the end that night will catch a elimpse of Jerrv 'Leave t to Beaver' Mathers, as he lives and breathes today. Speak ing of which, the ever unrestrained Curt McDowell has showered the festival with still another prolific salvo of his work. Friday night's offering from Curt being the heart-rending Beaver Fever- a tale of romance in Indiana featuring sister: Melinda. McDowell re-emerges on Saturday with proof of his versatility-a very successful critical 'satire called Fly Me to the Moon, in which he himself appears with S.F. underground star Ainslie Pryor. Which brings up another point of significance -California. The state's a wellspring of technical perfection and explosive, colorful art that just plain dazzles our grev-wearv eves. See Phil Makanna's With Enough Bananas (Fri. 9:00) and Pat O'NeiirsSflMLHsSLTí's(Sat. 9:00). Sunshine? Earthquakes? Reagen? Quien sabe? The Plaint ofSteve Kreines is an exquisite B & W documentary all shot with a single, fixed-focus lens. (Sat. 7:00) (not from California). Jefferson Circus Songs is dynamite submitted by one of this year's judgès: Susan Pitt-Kraning. Something to see, if you wonder what makes some people qualified to evalúate other peoples rilms. (Sat. 9:UU) (also N.h.t.j. To go on naming all of the films which ought to be shown in every school but have to settle for the Ann Arbor Film Festival would show a lack of restraint. Pil just say . . . uh . . . Shim and Abandoned Children mingle with a lot of other terrific things during these remaining two days. One more significance: a lot of animáis, cows in particular, were filmed over the last year or so . . . Lucia Returns lö Ann Arbor When the post-revolutionary Cuban epic LUCIA debuted in Ann Arbor last fall. it opened to rave reviews and a sold-out house. LUCIA es three generations of Cuban women, and likewise, the role of wo men in the liberation of the Carribean island. The film opens with the iirst generation Lucia, caugnt in tne turmoils of the rebellion by Cuban nationalists against oppresi sive Spanish rule. The scenario then moves to a new Lucia and a new time, 1933, when again the country is caugnt up in war. This time, a band of revolutionaries are fighting to overthrow Cuban dictator Gerardo Machada. The final , sode of LUCIA is set in the early Sixties, after the successful revolution of 1959. LUCIA will again be in Ann Arbor next week, one performance only, on March 19, MLB3 at 8 PM. If you missed it the last time, be sure you catch it now.

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Ann Arbor Sun, February 28, 1975

Article Keywords:

Ann Arbor Film Festival, Cinema Guild, Dramatic Arts Council, Film, Film Festivals, Movies

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[35] '+THIRTEENTH ANN ARBOR FILM FESTIVAL MARCH tH6 The Festival s co-sponsored by Cinema Guild and the Dramatic Arts Council. SCREENINGS HELD K - TUESDAY THROUGH FRIDAYAT7, 9 fcJg AND 11 PM. vPffM FREE SCREENING S y. FRIDAYAT2:00 JêÊ fA PM. WINNERS jl Br AND HIGHLIGHTS, flH & SUNDAY MARCH 16 ■"" L AT 7.9 AND 11 - JM Ifci PM AT BOTH qJB BH f I TECTURE jH9aLC ■eI IUM AND AUDI■ H-flW TORIUM A, ANGELL V HALL. SINGLE jiBi I TICKETS 1$1.25 '■flPl SERIES Lflfl V TICKETS W ■ $15.00. a TICKETS ON SALE JfB NIGHTLYAT M ARCHITECTURE AUDITROIUM AT6:00 ■ PM. NO ADVANCE 4Bk TICKETS SOLD FOR THAT P NIGHT'S SCREENINGS ONLY. i SERIES TICKETS ON SALE TUESDAY, MARCH 1 1 AT 5:30 PM. Architecture Auditorium Tappan and Monroe Streets. Program lnformation-662-8871 or see SUN Calendar. Support tñe Businesses tñot Support LOCflL moTion New People's Food Coop- 212N4th Pizza Bob's-814 S State 330 Maynard Indian Summer-315 S State Sun Structures-225 E Liberty Kalso Earth Shoes-406 E Liberty Seva-314 E. Liberty Middle Earth-1209 S University Applerose-300 W Liberty Mountain High- 1 1 7 W Washington Elton's Doublé Chevron- 2368 Abbot Itemized Fruit & Vegetable Coop 663-1111 David's Books-529 E Liberty And while you're there don't forget to contribute 2%, which goes to support human services in the Ann Arbor área.

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